Kitagawa Utamaro Ukiyo-e Haruga “Utamakura, the second floor of the restaurant”
$948
Whispers from the Floating World โ Utamaroโs โUtamakuraโ Scene of Springtime Grace
๐ Description
Step into a moment suspended in elegance with this ukiyo-e print by Kitagawa Utamaro, the undisputed master of bijin-ga (images of beautiful women). โUtamakura, the Second Floor of the Restaurantโ captures the refined world of Edo-period courtesans, as seen through Utamaroโs graceful lines and emotional subtlety. The scene offers a poetic glimpse into a world both vibrant and fleetingโwomen poised at leisure, wrapped in soft kimono, embodying both sensuality and serenity.
๐น Key Features
โข Original work by Kitagawa Utamaro, 18th-century ukiyo-e master
โข Features classic bijin-ga (beauty portrait) composition
โข Highlights everyday elegance of the pleasure quarters
โข Rich color palette and soft facial expressions
โข Celebrates feminine refinement and ephemeral beauty
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Description
๐ท๏ธ Product Specification
โข Style: Ukiyo-e woodblock print
โข Artist: Kitagawa Utamaro
โข Title: โUtamakuraโ (Song Pillow) Scene โ Restaurant Second Floor
โข Period: Late Edo Period
โข Size: Standard ukiyo-e dimensions (varies slightly with edition)
โข Technique: Traditional multi-color nishiki-e printing
๐ธ Why Choose This Masterpiece Print
โจ For the Admirer of Feminine Grace
Bask in the quiet presence of Edoโs most refined female portraits.
๐ For the Cultural Storyteller
Display a piece that speaks volumes without a single word.
๐ For the Interior Connoisseur
Elevate your room with timeless Japanese beauty.
๐ For the Collector of History
Own a symbol of Edoโs artistic golden age, where elegance met intimacy.
โจ Character Summary
Elegant, poetic, and quietly emotionalโUtamaroโs lens invites you into the heart of Edoโs refined pleasures.
โธป
โป Additional Explanation
Utamaroโs work does not shout; it sighs. And in this particular print, we hear the whispered intimacy of a spring afternoon within the floating worldโthe famed โukiyo.โ The women here are not idealized goddesses but nuanced individuals caught in a gentle moment of pause. One looks out over the balcony, another adjusts her sleeve, each gesture filled with depth, revealing volumes about their place, time, and unspoken thoughts.
The brilliance of Utamaro lies in his ability to portray the complexity of femininityโat once soft and knowing, delicate yet grounded. His attention to hairstyle, kimono fabric, and posture makes each print a quiet study in identity and class. โUtamakuraโ translates roughly as โpoetry pillowโโa term loaded with sensuality and literary allusion. It suggests both physical intimacy and the comfort of poetic dreams, a dual meaning reflected in every curve and brushstroke of this work.
To own this print is to possess not just a scene but a feelingโone of stillness, beauty, and the transient grace that defines the very soul of ukiyo-e.









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